Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Walls of resistance: underground memories and political violence in Colombia | 2024 | History and anthropology 35 (1): 68-89 | H6 [HISTORY-] | 1477-2612 | |||
#Detroit music city: analyzing Detroit's musical urban imaginary through a cultural justice lens | 2024 | Space and culture 27 (1): 14-30 | H6 [SPACE-] | 1206-3312 | |||
From the tag to the #hashtag: street art, instagram, and gentrification | 2024 | Space and culture 27 (1): 79-93 | H6 [SPACE-] | 1206-3312 | |||
“Para que no esté t' ojra...”. An outline of the custom of painting the walls of corrals in the Puna of Jujuy | 2024 | Revista española de antropología americana 54 (1): 115-28 | H6/KUL [MADRID-] | 0556-6533 | |||
April 25th × 50 years of writing in the city | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 227-45 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Analysis of rock art superimpositions in Cerro de los Indios 1 (Lago Posadas, Santa Cruz) | 2024 | Comechingonia: Revista de Arqueología 27 (2): 91-110 | 2250-7728 | ||||
Otomi visual representations of illness and death in the early 21st century | 2024 | Alteridades (67): 37-49 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
The Wisdom Tree mural | 2023/2024 | News from native California 37 (2): 12-17 | *H6/KUB [NEWS-] | 1040-5437 | |||
The Maya battle, 786-1519 | 2023 | Ancient Mesoamerica 34 (1): 241-8 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
Preclassic wiriting in southern Campeche: the mural paintings from Chakjobon | 2023 | Estudios de cultura maya 61 (): 11-28 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Resistance through temporality, placement, and modification of street art in Scotland's streets | 2023 | Ethnologia fennica 50 (1): 58-78 | H6/KVT [ETHNOLOGIA-] | 0355-1776 | |||
El poder, la sacralidad y los sentidos en los murales de Jardín de Malinalco | 2023 | Arqueología mexicana 29 (178): 54-61 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Pigeons and papyrus at Amarna: the birds of the Green Room revisited | 2023 | Antiquity 97 (391): 104-19 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The representation of space in Maya art and its use on the Chi’ik Nahb acropolis of Calakmul | 2023 | Estudios de cultura maya 62 (): 45-73 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
The role of the field architect in the digital age: integrating human and electronic recording at the Villa Arianna in Roman Stabiae | 2023 | Journal of field archaeology 48 (8): 572-87 | *H6/KE [JOURNAL-] | 2042-4582 | |||
Female diaconate in medieval Nubia: evidence from a wall inscription from Faras | 2023 | Bulletin of the School of Oriental and African Studies (London) 86 (2): 351-65 | H6/KW [LONDON-] | 0041-977X | |||
The puma and the snake. Interpretation of the mural painting of the church of Parinacota, Northern Chile | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 51-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
Agustín Villagra ́s exceptional record of rock painting “Mateo A. Saldaña of Ixtapantongo” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 339-67 | H6/KFY [MEXICO-] | 0185-1276 | |||
Enchantment in ancient Peru: Salinar period murals and architecture | 2022 | World art 12 (1): 67-94 | H6 [WORLD-] | 2150-0908 | |||
‘No soy un activista, soy un artista’: representations of the feminicide at the intersections of art and activism | 2022 | Bulletin of Latin American research 41 (3): 344-58 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Dictatorship and art: the Indigenous as artistic modernity and essence of the Chilean in the government of Carlos Ibáñez del Campo (1927-1931) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 339-70 | H6/KFY [MEXICO-] | 0185-1276 | |||
Lead and zinc pigmented mural paint: discovering ancient technologies at Lowry Pueblo great house in southwest Colorado | 2022 | Kiva 88 (4): 408-28 | *H6/KE [KIVA-] | 2051-6177 | |||
Extraordinary back-to-back human and animal figures in the art of western Arnhem Land, Australia: one of the world's largest assemblages | 2022 | Cambridge archaeological journal 32 (4): 707-20 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Harps on stone. Their presence in colonial churches of northern Chile | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
A reappraisal of Walter Battiss's relative sequence for rock paintings in the Stormberg, Eastern Cape | 2022 | Southern African humanities 35 (): 71-102 | H6/KY [NATAL-] | 1681-5564 | |||
Putin's descent: iconography of the Last Judgement and politics in contemporary Ukraine | 2022 | Material religion 18 (2): 182-202 | H6/KFO [MATERIAL-] | 1743-2200 | |||
The color of chant. Parallellism in Teotihuacan painting | 2022 | Revista española de antropología americana 52 (2): 281-97 | H6/KUL [MADRID-] | 0556-6533 | |||
Materiality of seclusion: a decorated monastic hermitage in the Dead Sea escarpment | 2022 | Material religion 18 (3): 287-310 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Superpositions and superimpositions in rock art studies: reading the rock face at Pundawar Manbur, Kimberley, northwest Australia | 2022 | Journal of anthropological archaeology 67 (): 1-23 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Las imágenes de Huitzilopochtli en el Templo Mayor de Tenochtitlan. Nuevos descubrimientos, nuevas ideas | 2022 | Arqueología mexicana 29 (177): 22-33 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
La pintura mural como evidencia de la observación minuciosa del cielo en Mesoamérica | 2022 | Arqueología mexicana 29 (177): 66-77 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Fragmentarity in the Medieval wall paintings in Finland – Three case studies | 2022 | Suomen Museo/Finskt Museum 129 (): 19-40 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
The hidden side of Para Yacu locality, southern Santiago del Estero, Argentina. A semiotic approach for the interpretation of rock paintings | 2022 | Chungará 54 (4): 697-717 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
The inscription of the mural of the 96 glyphs of Ek Balam as a reflection of the text of the Xultun murals | 2022 | Indiana 39 (1): 69-87 | H6/KUL [INDIANA-] | 0341-8642 | |||
Picturing Nayombolmi: the most prolific known rock art artist in the world | 2022 | Rock art research 39 (2): 155-67 | H6/KE [ROCK-] | 0813-0426 | |||
La pintura y la arqueología. La modernidad y el estado | 2022 | Arqueología mexicana (105): 10-39 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
John Mawurndjul's art in Paris | 2022 | Museum anthropology 45 (2): 164-79 | H6 [MUSEUM-] | 0892-8339 | |||
For one and or for many: affluent and common patronage of narrative art in Tibet | 2021 | Material religion 17 (1): 29-55 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Measurement in Cacaxtla: a multicultural and symbolic convergence | 2021 | Ancient Mesoamerica 32 (2): 231-48 | *H6/KE [ANCIENT-] | 0956-5361 | |||
The stuccoed and painted benches of Xochicalco, Morelos, Mexico | 2021 | Ancient Mesoamerica 32 (2): 249-68 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Excavations at the southern neighbourhood center of the Tlajinga district, Teotihuacan, Mexico | 2021 | Latin American antiquity 32 (3): 557-76 | *H6/KE [LATIN-] | 1045-6635 | |||
Numerales y cómputo del tiempo en la iconografía de Teotihuacan, México | 2021 | Latin American antiquity 32 (4): 760-80 | *H6/KE [LATIN-] | 1045-6635 | |||
Ex-voto: folk, outsider, transnational - debating definitions | 2021 | Studies in Latin American popular culture 39 (): 61-83 | *H6/KUL [STUDIES-] | 0730-9139 | |||
On political street art as expression of citizen media in revolutionary Egypt | 2021 | International journal of cultural studies 24 (3): 434-53 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Fame and recognition in historic and contemporary graffiti: examples from New York City (US), Richmond Castle and Bristol (UK) | 2021 | World archaeology 53 (3): 435-50 | H6/KE [WORLD-] | 1470-1375 | |||
Visibility and intention of the rock paintings in the GO-CP-33 site, in Palestina de Goiás, Brazil | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (3): 1-24 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Corn and balché. A review of the Tulum murals iconography | 2021 | Estudios de cultura maya 57 (): 117-49 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Rock paintings which may depict live eland being used in Sam rites | 2021 | Southern African humanities 34 (): 111-36 | H6/KY [NATAL-] | 1681-5564 |