Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Staging noh performance in contemporary opera: the dance of the shite in Toshio Hosokawa's The maiden from the sea (2017) | 2023 | Asian music 54 (1): 92-119 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Masculinity in crisis? Reticent/han-xu politics agains danmei and male effeminacy | 2023 | International journal of cultural studies 26 (3): 274-92 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The rise and fall of the synthetic: the mediatization of Canada's oil sands | 2023 | International journal of cultural studies 26 (4): 427-44 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The restless anthropology of Victor Turner | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-18 | 2525-3123 | ||||
Shakespeare in Rajasthan: character, emotion, and gesture in clothing | 2023 | Textile: the journal of cloth and culture 21 (1): 134-9 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Not feminism, human solidarity: Qurrat al-'Ayn Tahirih in early historical drama | 2023 | Hawwa: journal of women of the Middle East and the Islamic world 21 (4): 410-32 | H6/KW [HAWWA-] | 1569-2078 | |||
Rape as a metaphor for socio-political violence in Soji Cole's Embers | 2022 | African study monographs 42 (): 1-19 | H6/KY [AFRICAN-] | 0285-1601 | |||
Politico-philosophical reflections on dystopia in the 21st century Africa: the significance of Wole Soyinka's A dance of the forests | 2022 | African study monographs 42 (): 97-118 | H6/KY [AFRICAN-] | 0285-1601 | |||
The myth of Iphigenia in fourth-century funerary vases of southern Italy | 2022 | Res 77-78 (): 31-47 | *H6 [RES-] | 2327-9621 | |||
Genre transformation of folk drama in the space of ritual culture | 2022 | Vestsi Akademii Navuk Belarusi 67 (1): 80-7 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
Routes to forming an affiliative postmemory about difficult pages in history (based on the example of political repression) | 2021 | Folklore (Tartu) 83 (): 179-206 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Who killed utopia? Cult conspiracy drama and a television imaginary | 2021 | International journal of cultural studies 24 (1): 56-71 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Better than television: the rise of Korean web dramas | 2021 | International journal of cultural studies 24 (6): 993-1008 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Frames of worlds: visual commentary on ‘Dybuk’, the drama by An-ski. Between two worlds | 2021 | Konteksty 75 (1/2): 15-19, 530 | H6/KVM [POLSKA-] | 1230-6142 | |||
Advancements in the history of literature. Psychological stages and sequential epochs | 2021 | Human evolution 36 (1-2): 91-110 | H6/HB [HUMAN-] | 0393-9375 | |||
Disarmed by drama methodology | 2021 | Journal of ethnology and folkloristics 15 (1): 170-6 | H6/KVT [JOURNAL-] | 1736-6518 | |||
The rhetorical style of climate change education in Greg Mbajiorgu's Wake up everyone | 2021 | African study monographs 41 (1): 43-64 | H6/KY [AFRICAN-] | 0285-1601 | |||
The light of the world: mediating divine presence through the light and sound in a contemporary megachurch | 2020 | Material religion 16 (1): 84-107 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Women who are deterritorialisated by mourning Antigone | 2020 | Journal of folklore and literature (102): 329-46 | 1300-7491 | ||||
Mak yong, a UNESCO 'masterpiece'. Negotiating the intangibles of cultural heritage and politicized Islam | 2020 | Asian ethnology 79 (1): 67-90 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Buffoons and sorcerers: witchcraft, entertainment, and evil professions in colonial sources on pre-Hispanic Nahuas | 2020 | Colonial Latin American review 29 (2): 342-60 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Asad and Benjamin: chronopolitics of tragedy in the anthropology of secularism | 2020 | Anthropological theory 20 (1): 77-96 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
Beginning of Romani literature: the case of Alexander Germano | 2020 | Romani studies 30 (2): 135-61 | H6 [GYPSY-] | 1528-0748 | |||
Iphigenia's sacrifice: generational historicity as a structure of feeling in times of austerity | 2020 | Journal of the Royal Anthropological Institute (New Series) 26 (4): 842-63 | H6 [JOURNAL-] | 1359-0987 | |||
The motif of 'The Tragic Mistake' in oral, popular and elite culture of Central Europe | 2020 | Ethnologia slovaca et slavica 41 (): 77-86 | H6/KVL [ETHNOLOGIA-] | 1335-4116 | |||
Connecting ancient and modern: a textual study of Ghanaśyāma's Ānandasundarī, a Prakrit play by an 18th-century Marathi poet | 2020 | Bulletin de l’Ecole Française d’Extrême-Orient 106 (): 157-94 | H6/KWY [ECOLE-] | 0336-1519 | |||
Royal patriarchy and intra-gender conspiracy in Africa's age of globalization: the dramatist's reflections in Ahmed Yerima's Jakadiya | 2020 | African study monographs 40 (4): 133-47 | H6/KY [AFRICAN-] | 0285-1601 | |||
Ancient myth in Brazilian cinematography: Black Orpheus | 2020 | Ethno-anthropological problems journal 15 (2): 401-16 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Education in the performing arts in Serbia between academic and self-education practices | 2020 | Ethno-anthropological problems journal 15 (2): 581-600 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Dramatizing ethnographic fieldwork. Collaborative laboratory and the act of intervening | 2020 | Teaching anthropology 9 (2): 17-27 | |||||
Engaging with The Bridge: cultural citizenship, cross-border identities and audiences as 'regionauts' | 2019 | European journal of cultural studies 22 (3): 271-90 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Three-fold experience: 'Kupiškėnai weddings' | 2019 | Liaudies kultūra 1 (): 58-68 | H6/KVT [LIAUDIES-] | 0236-0551 | |||
Yamauba and oni-women. Devouring and helping yamauba are two sides of the same coin | 2019 | Asian ethnology 78 (2): 403-27 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
‘In the Islands people don’t really talk about this stuff, so you go through life on your own’: an artsbased study exploring intimate relationships with young people in Samoa | 2019 | Culture, health & sexuality 21 (5): 526-42 | H6/KGT [CULTURE-] | 1464-5351 | |||
‘In the Islands people don’t really talk about this stuff, so you go through life on your own’: an artsbased study exploring intimate relationships with young people in Samoa | 2019 | Culture, health & sexuality 21 (5): 526-42 | H6/KGT [CULTURE-] | 1464-5351 | |||
Prefiguring as an indigenous narrative tool in Nigerian cinema: an ethnomusicological reading | 2019 | Ethnomusicology 63 (2): 159-83 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A ritual drama in Nepal: the white Kālī goddess Tantric temple of Kathmandu and its gaṇa pyākhã divine dance | 2019 | Studies in Nepali history and society 24 (2): 281-321 | *H6/KWL [STUDIES-] | 1025-5109 | |||
The dialectics of eating and speaking in Ivo Brešan’s plays | 2019 | Narodna umjetnost 56 (1): 117-28 | H6/KVP [NARODNA-] | 0547-2504 | |||
On the power of a (good) story: why Game of Thrones had to end (this way) and what can Slavoj Žižek tell us about it? | 2019 | Ethno-anthropological problems journal 14 (2): 461-86 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
The Khmer Rouge, ritual and control | 2018 | Asian journal of social science 46 (1/2): 79-110 | H6/KW [ASIAN-] | 1568-4849 | |||
The development of ethnographic drama to support healthcare professionals | 2018 | Anthropology in action 25 (1): 1-14 | H6/KF [BASAPP-] | 0967-201X | |||
Tamil Dalit art and identity: what to do with the drum? | 2018 | South Asia research 38 (2): 140-55 | H6/KWL [SOUTH-] | 0262-7280 | |||
The concept of the liminal and dramatic studies: a preliminary investigation | 2018 | Journal of archaeology and anthropology (88): 9-34 | H6/KWS [TAIWAN-] | 0077-5483 | |||
"I am the greatest boxer": articulating group identity through Chinese folk drama | 2018 | Journal of American folklore 131 (521): 250-71 | H6/KF [JOURNAL-] | 0021-8751 | |||
An investigation on Samim Kocagöz's 'Islak Ekmek' play | 2018 | Journal of folklore and literature 1 (): 63-72 | |||||
Does subtitled television drama brand the nation? Danish television drama and its language(s) in Japan | 2018 | European journal of cultural studies 21 (5): 614-30 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Das Drama der zweiten Geburt. Reenactment als (therapeutische) Interaktion - ein Kommentar | 2018 | Paragrana: internationale Zeitschrift für historische Anthropologie 27 (1): 271-7 | H6/KF [PARAGRANA-] | 0938-0116 | |||
Brandishing guns: performing race and belonging in the American West | 2018 | Journal of visual culture 17 (3): 343-55 | H6/KF [JOURNAL-] | 1470-4129 | |||
Documents found in Jindřich Veselý's estate kept in the collection of Chrudim Puppetry Museum | 2018 | Acta Musei Moraviae: scientiae sociales 103 (2): 189-209 | H6/KE [ACTA-] | 0323-0570 |