Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Uses of creativity in the daily life of dancing mothers in Buenos Aires | 2024 | Revista colombiana de antropología 60 (1): 150-73 | H6/KUL [REVISTA-] | 0486-6525 | |||
Doing ethnomethodological ethnography. Moving between autoethnography and the phenomenon in "hybrid studies" of taiji, ballet, and yoga | 2024 | Qualitative research 24 (1): 32-59 | H6 [QUALITATIVE-] | 1468-7941 | |||
Cultural identity of Acorian migrants in Lima through the dance Los negritos de Acoria | 2024 | Antipoda: revista de antropología y arqueología (54): 87-109 | H6/KUL [REVISTA-] | 0124-485X | |||
Aesthetic assemblages: relational aesthetics of the Israeli movement practice Gaga | 2024 | Material religion 20 (1): 73-99 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Performing indigeneity through the musical piece 'Miti Sunai' on Yonaguni Island, Okinawa | 2024 | Asian music 55 (1): 126-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The crossover: integrating Indian sign language with mudras in an Indian classical dance performance creation | 2024 | Visual anthropology 37 (2): 146-65 | *H6 [VISUAL-] | 1545-5920 | |||
Memorable dances from the days of war: a study of the form and meaning of Kurdish dances in north-east Iran | 2024 | Folklore 35 (1): 201-28 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
Globalization and Islamic music (Asalatu) in Nigeria | 2024 | Journal of religion in Africa 54 (2): 193-208 | H6/KFO [JOURNAL-] | 0022-4200 | |||
Pocodisco: the sonic performativity of grief, grievance, and joy in diaspora | 2024 | American anthropologist 126 (2): 271-81 | *H6 [AMERICAN-] | 0002-7294 | |||
Toward a dialectical understanding of North Indian drumming traditions: musical labor, dance, and the folk/classical distinction in Banaras | 2024 | Asian music 55 (2): 40-74 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Live by the drum: reflection on a Greenland celebration of Inuit drumming, dance, and song | 2024 | Inuktitut (131-132): 62-5 | *H6/KUB [INUKTITUT-] | 0705-8527 | |||
Musical activity, show business and post-colonial politics in socialist Maputo, or 'the multiple sides of a full circle' (1975-1994) | 2024 | Journal of Eastern African studies 18 (3): 408-30 | H6/KY [EASTERN-] | 1753-1063 | |||
The body of reverse: the “protagonist butts” of the twerk dance | 2023 | Cuadernos de antropologia social (57): 95-110 | H6/KF [CUADERNOS-] | 1850-275x | |||
Nautch, thuggee and criminality in nineteenth-century colonial India | 2023 | South Asia research 43 (1): 115-28 | H6/KWL [SOUTH-] | 0262-7280 | |||
Teaching, organization and leadership of a world in motion. Contact improvisation in Buenos Aires from 1985-2005 | 2023 | Disparidades: revista de antropologia 78 (1): e008 | H6/KVE [REVISTA-] | 2659-6881 | |||
Air and sound: Indigenous wind instruments made of bone in the Southeast United States | 2023 | Southeastern archaeology 42 (4): 311-21 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
Pounding the ground for the thunder god: sounding platforms in the Prehispanic Andes (CE 100-1532) | 2023 | Journal of anthropological archaeology 71 (): 1-9 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Black vibrations: techno as queer insurrectionist sonics | 2023 | Journal of visual culture 22 (1): 25-46 | H6/KF [JOURNAL-] | 1470-4129 | |||
The magical power of Căluș against Ieleʼs possession in Dolj County | 2023 | Martor: revue d'anthropologie du Musée du Paysan Roumain (28): 137-63 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Playing with the past | 2023 | Inuit art quarterly 36 (3): 58-66 | *H6/KFY [INUIT-] | 0831-6708 | |||
Tactile technologies of the self: connection, hapticscape and self-development narratives in Cape Town's Afro-Latin dance scene | 2023 | Anthropology Southern Africa 46 (3): 229-44 | *H6 [SOUTH-] | 2332-3256 | |||
Hamelin ez den herri bateko kirolarien dantzak. Kirol jarduera eta jarduera fisikoei begirada bat zenbait neraberen praktika eta hausnarketatik abiaturik | 2023 | Anuario de Eusko folklore (57): 121-36 | H6/KVE [SOCIEDAD DE ESTUDIOS VASCOS. Anuario] | 0210-7732 | |||
The pleasures of Parikan in Malang, East Java: an analysis of text and music in the dance Ngremo putri | 2023 | Asian music 54 (2): 6-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Engaging ronggeng community - Reviving Malay social dance and music practices in the twenty-first century: a keynote address | 2023 | Asian music 54 (2): 57-76 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Bharatanatyam and art activism in the networked digital space | 2023 | South Asia research 43 (3): 400-16 | H6/KWL [SOUTH-] | 0262-7280 | |||
Afro-Latin American migration in Buenos Aires: the formation of an Afro-descendant cultural field in the last decades of the 20th century | 2023 | Boletín americanista (87): 215-35 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Archives and the bodily dimension of traditional dance knowledge | 2023 | Folklore (Tartu) 91 (): 165-76 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Vaishanvism and culture in Assam and Manipur | 2023 | Culture and religion 23 (2): 140-54 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
La fête "tsigane" au prisme du genre et de l'identité sexuelle: pratiques plastiques et performatives contemporaines | 2023 | Etudes tsiganes (Nouvelle Série) (23): 114-33 | H6 [ETUDES-] | 0014-2247 | |||
Dancing at the border. Corporal itineraries of Aymara-Bolivian and Afro-Colombian women in Arica (Chile) | 2023 | Disparidades: revista de antropologia 78 (2): 1-16 | H6/KVE [REVISTA-] | 2659-6881 | |||
Choreographing in context: rehearsing alternative infrastructures | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 215-27 | H6/KF [PARAGRANA-] | 0938-0116 | |||
Contemporary parishara and hummingbird dances in the Rupununi Savannah, southwestern Guyana | 2023 | Archaeology and anthropology (Georgetown) 25 (): 98-141 | *H6/KUL [ARCHAEOLOGY-] | 0256-4353 | |||
Savoring slackness in Kingston. Independent Japanese tourists and Jamaican dancehall | 2023 | Asian ethnology 82 (2): 301-22 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Singing and dancing harmonizes the territory: approaching songs and dances of the Miraña from the Neebaje clan | 2022 | Mundo Amazonico 13 (2): e102999 | 2145-5082 | ||||
Matachindé performance at Juntas de Yurumanguí (Buenaventura) | 2022 | Boletín de antropología (Antioquia) 36 (62): 59-86 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Dance in times of war. A view to the expressionism and the roots of butoh | 2022 | Boletín de antropología (Antioquia) 36 (62): 105-17 | H6/KUL [BOLETIN-] | 0120-2510 | |||
The Little Angels | 2022 | The World of Music 11 (1): 45-62 | H6/KFY [WORLD-] | 0043-8774 | |||
'The dance of the Khmu' and the ikat skirts of northeast Laos | 2022 | Textiles Asia 14 (2): 27-34 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
The commemorative power of Govend dances for a Kurdish community in transition | 2022 | The World of Music 11 (2): 91-111 | H6/KFY [WORLD-] | 0043-8774 | |||
Listening with the body: sensitivity, music and body in a local belly dance scene | 2022 | Revista de antropología (São Paulo) 65 (2): 1-23 | H6/KUL [REVISTA-] | 0034-7701 | |||
Yúmari: el espacio de reciprocidad rarámuri | 2022 | Arqueología mexicana 29 (175): 70-1 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
'We wear one another' | 2022 | Journal of visual culture 21 (1): 85-9 | H6/KF [JOURNAL-] | 1470-4129 | |||
A queer arrullo: heritage, gender performativity, and sexual diversity in the Marimba music and traditional songs and dances of the Colombian South Pacific | 2022 | Antipoda: revista de antropología y arqueología (49): 111-32 | H6/KUL [REVISTA-] | 0124-485X | |||
Performance and citizenship: Andean dance as an act of recognition | 2022 | Estudios Atacameños 68 (): 1-24 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Abitare lo spazio del corpo. Una riflessione empirica e uno sguardo antropologico sulle pratiche artistico performative come dispositivo di risignificazione dello spazio pubblico | 2022 | Archivio per l'antropologia e la etnologia 152 (): 47-60 | H6 [ARCHIVIO-] | 0373-3009 | |||
Overthrowing the patriarchy. Ethnography with female Tumbe Carnival groups in Arica | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 149-64 | H6/KE [BOLETIN-] | 0716-1530 | |||
'Our divine ancestor Jesus Christ': performing arts and Catholic missiology in Bali | 2022 | Asian music 53 (2): 66-109 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
An auto-ethnography of engagement through dance | 2022 | Tsantsa 27 (): 78-93 | H6/KF [TSANTSA-] | 2673-5377 | |||
'On behalf of the family'. A pole raising ceremony at the Denver Art Museum | 2022 | Museum anthropology review 16 (1-2): 115-34 | 1938-5145 |