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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Global visions for a metaverse | 2024 | International journal of cultural studies 27 (1): 1-7 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (1): 1-23 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Platform capitalisms and platform cultures | 2024 | International journal of cultural studies 27 (1): 1-9 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (1): 1-18 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Four concepts to think from the South | 2024 | International journal of cultural studies 27 (2): 143-54 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Cultures of reading: then and now | 2024 | International journal of cultural studies 27 (2): 155-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Illicit media, reflexivity and sociocultural change in North Korea | 2024 | International journal of cultural studies 27 (2): 165-80 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Beyond peace: media encounters between Israeli Jews and Palestinians as a new potential for connection in the face of violent conflict | 2024 | International journal of cultural studies 27 (2): 181-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Representations of mental problems in content published by female social media influencers | 2024 | International journal of cultural studies 27 (2): 217-33 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Soft nationalism and China: a case study of nationalism in short videos by US-Chinese rapper MC Jin | 2024 | International journal of cultural studies 27 (2): 234-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| 'When it comes to the true crime community, Taylor is a legend': social and symbolic capital among murderabilia fans | 2024 | International journal of cultural studies 27 (2): 251-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| House-sharing as a staged and mediated practice: representing self and home in Melbourne share-houses | 2024 | International journal of cultural studies 27 (2): 268-87 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Relocating video cultures | 2024 | International journal of cultural studies 27 (1): 3-8 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Disrupting Brazilian television: streaming and the decline of Globo's hegemony in video cultures | 2024 | International journal of cultural studies 27 (1): 9-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘They are now pocket videos, not home videos’: streaming and reconfiguration of video consumption in Nigeria | 2024 | International journal of cultural studies 27 (1): 82-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘Terebi banare’: historicising Internet-distributed television and the ‘departure from television’ in Japan | 2024 | International journal of cultural studies 27 (1): 99-118 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Beyond Netflix: ownership and content strategies among non-US-based video streaming services | 2024 | International journal of cultural studies 27 (1): 119-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Decolonizing bodies and the ethics of care: on the significance of embodied vulnerability as the future of cultural studies | 2024 | International journal of cultural studies 27 (3): 291-301 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Memetic commenting: Armenian curses and the Twitter theatre of Trump's deselection | 2024 | International journal of cultural studies 27 (3): 302-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Multimodal online dissident culture in Instagram: a critique of the Turkish economy | 2024 | International journal of cultural studies 27 (3): 323-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Death to Chad and Stacey: incels and anti-fandom as group identity | 2024 | International journal of cultural studies 27 (3): 349-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Mapping globalised Chinese webnovels: genre blending, cultural hybridity, and the complexity of transcultural storytelling | 2024 | International journal of cultural studies 27 (3): 368-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Digital labor in the state-led/capitalist complex: state labor and playful workaholics in the Chinese digital space | 2024 | International journal of cultural studies 27 (3): 387-404 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (3): 405-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| #MournHub and @GrieveWatch: mediating monarchy and mourning in the digital age | 2024 | International journal of cultural studies 27 (3): 428-43 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The precarity of cultural and creative work through pandemic times | 2024 | International journal of cultural studies 27 (3): 447-55 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Public cultural institutions in Mexico and precarisation of creative labour | 2024 | International journal of cultural studies 27 (3): 456-73 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Scenes of precarity: conditions, dynamics and challenges for the post-pandemic future of cultural labour in Argentina | 2024 | International journal of cultural studies 27 (3): 474-91 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Rethinking creative freelancers and structures of care in cultural policy and organisational practice: a case study of Dundee during the Covid-19 pandemic | 2024 | International journal of cultural studies 27 (3): 492-509 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (3): 510-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Creative and cultural work post-Covid-19: interruptions as space of political re-futuring | 2024 | International journal of cultural studies 27 (3): 528-45 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Precarious work and precarious urban spaces: divergent experiences of pandemic creativity | 2024 | International journal of cultural studies 27 (3): 536-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Visual artists’ professional and social status: insights from post-socialist Serbia | 2024 | International journal of cultural studies 27 (3): 565-82 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Cooptation, hijacking, or normalization? The discursive concession of body politics on Douyin | 2024 | International journal of cultural studies 27 (5): 585-604 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop | 2024 | International journal of cultural studies 27 (5): 605-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The patriarchal Western gaze and the discursive policing of fandom: "Koreaboo" as stigma | 2024 | International journal of cultural studies 27 (5): 623-38 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The politics of credit in remix of Japanese popular culture: between “an 80's Japanese disco floor” and “this remix is worthy of the actual game” | 2024 | International journal of cultural studies 27 (5): 639-57 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Engaging the present, embracing the past: pop culture museums and cultural continuity in Fukushima | 2024 | International journal of cultural studies 27 (5): 658-74 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘If it's held dear, it’ll get pushed through’: transmedia narratives, play cultures, and soft canon in tabletop role-playing games (TTRPGs) | 2024 | International journal of cultural studies 27 (5): 675-93 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Young people's digital drawing practices as cultural heritage | 2024 | International journal of cultural studies 27 (5): 694-715 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Culture is transnational | 2023 | International journal of cultural studies 26 (1): 3-15 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Cultural studies in Africa, or not | 2023 | International journal of cultural studies 26 (1): 16-21 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The paradox of a mobile society: situating Cultural Studies in the global South context | 2023 | International journal of cultural studies 26 (1): 22-33 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Non-digital fan networking: how Japanese animation and comics disseminated in China despite authoritarian deterrence | 2023 | International journal of cultural studies 26 (1): 34-51 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘Welcome to a Coronavirus production’: Beyond Bows and Arrows’ Indigenous on-air community-building during lockdown | 2023 | International journal of cultural studies 26 (1): 52-68 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘No room for hate in our country’: constructing the LGBTI-friendly nation in news discourses after the murder of a gay man in Belgium | 2023 | International journal of cultural studies 26 (1): 69-86 | H6/KF [INTERNATIONAL-] | 1367-8779 |
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