Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
On teaching Americans to play mbira like Zimbabweans | 1999 | African music 7 (4): 175-80 | 0065-4019 | ||||
Ennanga harp songs of Buganda: Temutewo Mukasa's [Gganga alula] | 1999 | African music 7 (4): 47-65 | 0065-4019 | ||||
The musical scene in Uganda: views from without and within [orig publ in French in Cahiers d'Ethnomusicologie 9] | 1999 | African music 7 (4): 6-21 | 0065-4019 | ||||
Fieldwork in Lango, northern Uganda Feb-Mar 1997 | 1999 | African music 7 (4): 66-72 | 0065-4019 | ||||
Ethnomusicological education for a humane society: ethical issues in the post-colonial, post-apartheid era | 1999 | African music 7 (4): 166-74 | 0065-4019 | ||||
Koo Nimo: a contemporary Ghanaian musician | 1999 | African music 7 (4): 147-65 | 0065-4019 | ||||
Singing psalms with owls: a Venda twentieth century musical history | 1999 | African music 7 (4): 122-46 | 0065-4019 | ||||
Dr David Kenneth Rycroft, 7 December 1924-8 August 1997 | 1999 | African music 7 (4): 3-5 | 0065-4019 | ||||
The ndongo bowl lyre of the Baganda of Uganda: an examination of its sonic properties | 1999 | African music 7 (4): 22-8 | 0065-4019 | ||||
Xylophone music of Uganda: the embaire of Nakibembe, Busoga | 1999 | African music 7 (4): 29-46, [insert, i-viii] | 0065-4019 | ||||
The evolution of urban music in Democratic Republic of Congo during the 2nd and 3rd decades (1975-1995) of the Second Republic - Zaïre | 1999 | African music 7 (4): 73-87 | 0065-4019 | ||||
Gumboots, Bhaca migrants, and Fred Astaire: South African worker dance and musical style | 1999 | African music 7 (4): 88-109 | 0065-4019 | ||||
Africa and Indonesia reconsidered | 1999 | African music 7 (4): 181-8 | 0065-4019 | ||||
Some music traditions of Malawi | 1999 | African music 7 (4): 110-21 | 0065-4019 | ||||
'Drumbeats, pennywhistles and all that jazz': the relationship between urban South African musical styles and musical meaning | 1996 | African music 7 (3): 52-9 | |||||
Fact, ideology and paradox: African elements in early black South African jazz and vaudeville | 1996 | African music 7 (3): 44-51 | |||||
The soul of Mbira twenty years on : a retrospect, 2 [review article on The soul of Mbira: music and traditions of the Shona people of Zimbabwe by P. Berliner (Chicago and London: Univ Chicago Pr, 1994; first published in 1978)] | 1996 | African music 7 (3): 91-5 | |||||
African methods of music education: some reflections | 1996 | African music 7 (3): 30-43 | |||||
L'importance de la fonction musicale pour la classification des instruments de musique en langue mpymo: une contribution à la discussion sur la dichotomie 'emics/etics' | 1996 | African music 7 (3): 11-20 | |||||
The soul of Mbira twenty years on : a retrospect, 1 [review article on The soul of Mbira: music and traditions of the Shona people of Zimbabwe by P. Berliner (Chicago and London: Univ Chicago Pr, 1994; first published in 1978)] | 1996 | African music 7 (3): 76-90 | |||||
Emics and etics: theoretical considerations | 1996 | African music 7 (3): 3-10 | |||||
Stringed instrument traditions in southern Malawi | 1996 | African music 7 (3): 60-6 | |||||
Masked men dancing and the lordship over land [review article on Makisi nyau mapiko: Maskentraditionen in bantu-sprachigen Afrika by G. Kubik (Munich: Trickster Verlag, 1993)] | 1996 | African music 7 (3): 96-102 | |||||
The discourse about others' music: reflecting on African-Brazilian concepts | 1996 | African music 7 (3): 21-9 | |||||
Sesotho music: a contemporary perspective | 1996 | African music 7 (3): 67-75 | |||||
Youth songs: a type of Igbo choral music in Igbo Christian worship | 1992 | African music 7 (2): 13-22 | |||||
The impact of rural-urban migration on a village music culture: some implications for applied ethnomusicology [Ghana] | 1992 | African music 7 (2): 45-57 | |||||
John Blacking: a personal tribute [d.24.1.1990] | 1992 | African music 7 (2): 3-4 | |||||
Musical instruments, songs and dances of the Chokwe (Dundo region, Lunda district, Angola) | 1992 | African music 7 (2): 23-44 | |||||
Report on pitch perception experiments carried out in Buganda and Busoga (Uganda) | 1992 | African music 7 (2): 119-25 | |||||
'They sing our origins': a study of the "lungsi" drummers of Mampurugu | 1992 | African music 7 (2): 58-71 | |||||
"Thunga la ngororombe" - the panpipe dance group of Sakha Bulaundi | 1992 | African music 7 (2): 85-107 | |||||
Music in Nigerian education | 1992 | African music 7 (2): 5-12 | |||||
Some dance steps for the Nyanga panpipe dance | 1992 | African music 7 (2): 108-18 | |||||
The genesis of urban music in Zaïre | 1992 | African music 7 (2): 72-84 | |||||
Report on research in Lesotho | 1992 | African music 7 (2): 126-7 | |||||
Umngqokolo: Xhosa overtone singing and the song 'Nondel'ekhaya' | 1991 | African music (): 32-47 | |||||
Sengenya dance music: its instrumental resources and performance [Digo] | 1991 | African music (): 48-54 | |||||
Samba Ng'oma eight - the drum chime of Mário Sabuneti | 1991 | African music (): 55-71 | |||||
Brass bands and the beni phenomenon in urban east Africa | 1991 | African music (): 72-81 | |||||
Black South African urban music since the 189O's: some reminiscences of Alfred Assegai Kumalo (1879-1966) | 1991 | African music (): 5-31 | |||||
Kambazithe Makolekole and his valimba group: a glimpse of the technique of the Sena xylophone | 1991 | African music (): 82-104 | |||||
The construction and manipulation of temporal structures in 'Ye e' cult music: a multi-dimensional approach | 1987 | African music (): 4-18 | |||||
Idoma musical instruments | 1987 | African music (): 42-52 | |||||
Giriama and Digo dance styles | 1987 | African music (): 144-54 | |||||
Children's music of the Shangana-Tsonga | 1987 | African music (): 126-43 | |||||
African space/time concepts and the 'tusona' ideographs in Luchazi culture with a discussion of possible cross-parallels in music | 1987 | African music (): 53-89 | |||||
Classification of Igbo musical instruments, Nigeria | 1987 | African music (): -41 | |||||
'Ese' music: honours for the dead: status for the sponsor | 1987 | African music (): 90-107 | |||||
Une analyse de la 'Messe katangaise' de Joseph Kiwele | 1987 | African music (): 108-25 |