Title | Date | Reference | Authors | Call # | ISSN | ||
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Between public and private. On the uses of the archive in contemporary Latin American visual arts. Introduction | 2024 | Iberoamericana 24 (85): 7-11 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Archive of the revolt: from awakening to the virtual museum for the Chilean case | 2024 | Iberoamericana 24 (85): 27-50 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Dictator portraits: interventions on the archive in documentaries about Augusto Pinochet | 2024 | Iberoamericana 24 (85): 51-67 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
A wondering archive: Super 8, music and temporality in Avanti popolo (Brazil, 2012) | 2024 | Iberoamericana 24 (85): 69-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Beyond the words. Variations on Martha Argerich | 2024 | Iberoamericana 24 (85): 85-100 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Archive, desire and taming. A reading from El Silencio es un Cuerpo que Cae | 2024 | Iberoamericana 24 (85): 101-23 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Classical tradition in the celebrations of the Centenary of the Republic of Chile (1910) | 2024 | Iberoamericana 24 (85): 155-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Cultural policies during the Progressive cycle in Uruguay (2005-2020). Advances and contradictions in a time of change | 2024 | Iberoamericana 24 (85): 185-207 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Human rights, Cuban revolution and the Interamerican Cold War (1959-1963) | 2024 | Iberoamericana 24 (85): 209-32 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
To break the drawings with a punch: Latin-American comic studies, here and now. Introduction | 2024 | Iberoamericana 24 (86): 7-18 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
New culture for the new man: Quimantú Publishing House and the educational comic in Chile,1970-1973 | 2024 | Iberoamericana 24 (86): 19-37 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Readings and daily working life of comic artists in Latin America: an oral history | 2024 | Iberoamericana 24 (86): 39-58 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
“Na noite de São Paulo você esquece que o dia vai nascer”: Visions of the urban periphery in Brazilian graphic narratives | 2024 | Iberoamericana 24 (86): 59-77 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The future has already passed: urban apocalypse, futurism and dystopia in four contemporary Argentine comics | 2024 | Iberoamericana 24 (86): 79-101 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Gender, race and identity in the characters of the Peruvian comic | 2024 | Iberoamericana 24 (86): 103-24 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
An absurd laughter: towards a genealogy and typology of "silly humor" (1940-1946) | 2024 | Iberoamericana 24 (86): 125-52 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Forgetfulness as an institutional policy: the case of the Palmares Foundation during the Jair Bolsonaro government (2019-2022) | 2024 | Iberoamericana 24 (86): 199-214 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Youth, politics and generations in Latin America, from the second half of 20th century to the 21st century. Introduction | 2023 | Iberoamericana 23 (82): 7-13 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
How to become a youthologist? The 98' generation: life stories | 2023 | Iberoamericana 23 (82): 15-35 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Young people in the popular outburst in Colombia 2021: resistances and re-existences | 2023 | Iberoamericana 23 (82): 37-58 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
New generations and leaders to power: from the 2011 student movement to the first broad front government in 2022 | 2023 | Iberoamericana 23 (82): 59-79 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Youth and social markers of difference in the state youth plans in Brazil | 2023 | Iberoamericana 23 (82): 81-95 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
School and youth in Argentina: the student center and the demands of comprehensive sexual education as supports of school experiences | 2023 | Iberoamericana 23 (82): 97-116 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
“Now is our tme”. Youth activisms in the new right wings during the pandemic (Argentina, 2020-2022) | 2023 | Iberoamericana 23 (82): 117-37 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The working-class fatherhood: masculinity, railroad work and social question in the Argentine magazines in the early twentieth century | 2023 | Iberoamericana 23 (82): 165-91 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The national and the mestizo matters. A reading about the actions of José de Mesa and Teresa Gisbert in the cultural field of La Paz (1952-1956) | 2023 | Iberoamericana 23 (82): 193-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Contemporary debates on the political power of ideas and discourses in Latin America | 2023 | Iberoamericana 23 (82): 239-63 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The regulation of alcoholic beverages in Mexico/New Spain. An analysis of prohibition schemes in the long term | 2023 | Iberoamericana 23 (83): 83-106 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The most perfect death: Idle Days in Patagonia by William Henry Hudson | 2023 | Iberoamericana 23 (83): 107-27 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Catholicism and Communism: a possible alliance in the thirties under the gaze of Murilo Mendes and Jacques Maritain | 2023 | Iberoamericana 23 (83): 129-44 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Literary culture in Colombia in the 1940s: the Revista de las Indias and intellectual cooperation | 2023 | Iberoamericana 23 (83): 165-86 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Knowledges on the margins. Strategies of production and new medialities in Latin America from the perspective of conviviality-inequality | 2023 | Iberoamericana 23 (84): 7-12 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
North-South dialogues in contexts of conviviality-inequality. The indigenous question at the Festival Horizonte ’82 in West Berlin and the mediation role of Darcy Ribeiro | 2023 | Iberoamericana 23 (84): 13-30 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Defense of body-territory of Camëntšá women, Colombia: aesthetic-political actions and convivial proposals | 2023 | Iberoamericana 23 (84): 31-55 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Das avós: the photographic archive of imperial Brazil in the imagetic practice of Rosana Paulino | 2023 | Iberoamericana 23 (84): 57-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Three paths to decolonizing philosophy in contexts of conviviality-inequality: Hegel's Eurocentrism as case study | 2023 | Iberoamericana 23 (84): 85-108 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
A sunset for the printing. The entry of photography into the Latin American periodical press at the beginning of the contemporary mass culture (1880-1920) | 2023 | Iberoamericana 23 (84): 111-42 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Popular music and Marchinha in the spring festival and other festive spaces in the Valparaiso region from a historical perspective | 2023 | Iberoamericana 23 (84): 143-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
El concepto contemporáneo de España (1946), by Ángel del Río and M. J. Benardete, and liberal nationalism in the Spanish republican exile | 2023 | Iberoamericana 23 (84): 171-87 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Cinephilia, Hollywood, and the Cuban revolution: the American journey of Néstor Almendros,1955-1956 | 2023 | Iberoamericana 23 (84): 188-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Memory and pain of the witnesses of the Pacific War and their sculptural proposals to commemorate the fallen heroes. Peru 1883-1897 | 2023 | Iberoamericana 23 (84): 217-48 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Labour precariousness, activism, and cyberbullying. Reflections on how we participate and position ourselves as women in contexts of social insecurity | 2023 | Iberoamericana 23 (84): 251-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Foreign and national booksellers-publishers, printers, architects of the literary culture of Mexico | 2022 | Iberoamericana 22 (79): 133-47 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Rewriting the history of Farroupilha in the commemoration of its centennial: between the Vargas Period, Souza Docca's historiography and the nationalization of the regional | 2022 | Iberoamericana 22 (79): 149-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Censored Havana: culture and politics through the film Pasado Meridiano - PM (Cuba, 1961) | 2022 | Iberoamericana 22 (79): 177-85 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Old news: Caribbean dispersion and integration in Ana Lydia Vega's Encancaranublado | 2022 | Iberoamericana 22 (79): 187-208 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Latin America in the history of knowledge and the history of science during the long 19th century | 2022 | Iberoamericana 22 (79): 245-60 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Foreign and national booksellers-publishers-printers, architects of the literary culture of Mexico (1821-1838) | 2022 | Iberoamericana 22 (79): 123-47 | H6/KUL [IBEROAMERICANA-] | 1577-3388 |