Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Singing a Chinese nation: heritage preservation, the Yuanshengtai Movement, and new trends in Chinese folk music in the twenty-first century | 2021 | Ethnomusicology 65 (1): 1-31 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The Rosalía polemic: defining genre boundaries and legitimacy in Flamenco | 2021 | Ethnomusicology 65 (1): 32-61 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Awakening the soul with the left hand: narration and healing in Vietnam's diasporic traditional music | 2021 | Ethnomusicology 65 (1): 62-85 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Tradicionalismo africano in Cuba: women, consecrated Batá, and the polemics of “re-Yorubization” in Cuban ritual music | 2021 | Ethnomusicology 65 (1): 86-111 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Cultural intimacy at the conflicted borderlines of nation, ethnicity, and class in Israel: Jowan Safadi's music video “To Be an Arab" | 2021 | Ethnomusicology 65 (1): 112-37 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Female street singers of Java: musical styles and life circumstances | 2021 | Ethnomusicology 65 (1): 138-69 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnomusicology, Ayε Kradow? | 2021 | Ethnomusicology 65 (2): 203-20 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Walking as fieldwork method in ethnomusicology | 2021 | Ethnomusicology 65 (2): 221-58 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“Out of time” and “out of tune”: reflections of an oud apprentice in Somaliland | 2021 | Ethnomusicology 65 (2): 259-85 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Arching over the Atlantic: exploring links between Brazilian and Angolan musical bows | 2021 | Ethnomusicology 65 (2): 286-323 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Music under the ground: ethnomusicological research on the ground-bow in Africa | 2021 | Ethnomusicology 65 (2): 324-58 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Whale calling | 2021 | Ethnomusicology 65 (2): 350-73 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnomusicology and higher education: challenges, trends, and lessons from the humanities | 2021 | Ethnomusicology 65 (3): 413-43 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Yi Suyong and the quiet of “Korea's Hiroshima” | 2021 | Ethnomusicology 65 (3): 444-70 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ann Flood, Mairéad Farrell, and the representation of armed femininity in Irish Republican ballads | 2021 | Ethnomusicology 65 (3): 471-96 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The crowd in flux: atmosphere and the governance of public affects at FC Union Berlin | 2021 | Ethnomusicology 65 (3): 497-518 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Carnival brass bands in New Orleans and Rio de Janeiro: disinheritance, alternative Whiteness, and musical eclecticism | 2021 | Ethnomusicology 65 (3): 519-48 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A tale of two cities (and two ways of being inauthentic): the politics of college Jazz in “Official Cleveland” and in the “Other Cleveland” | 2021 | Ethnomusicology 65 (3): 549-73 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Deep polyphony in the hymns of Julien Jouga | 2021 | Ethnomusicology 65 (3): 574-604 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
"It's not a specific Klezmer thing, it's a specific me thing": Klezmer accordion in Berlin | 2020 | Ethnomusicology 64 (1): 56-88 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia | 2020 | Ethnomusicology 64 (1): 89-109 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis | 2020 | Ethnomusicology 64 (1): 141-66 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
"It's not a specific Klezmer thing, it's a specific me thing": Klezmer accordion in Berlin | 2020 | Ethnomusicology 64 (1): 56-88 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“A weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia | 2020 | Ethnomusicology 64 (1): 89-109 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis | 2020 | Ethnomusicology 64 (1): 141-66 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Attending to the nightingale: on a multispecies ethnomusicology | 2020 | Ethnomusicology 64 (2): 199-224 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnomusicology beyond #MeToo: listening for the violences of the field | 2020 | Ethnomusicology 64 (2): 225-53 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Circulation, value, exchange, and music | 2020 | Ethnomusicology 64 (2): 254-73 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Blackbirds in the archive: genealogy and media in a century of Georgian folk song | 2020 | Ethnomusicology 64 (2): 274-300 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Call and response: SEM President's Roundtable 2018, “Humanities' Responses to the Anthropocene” | 2020 | Ethnomusicology 64 (2): 301-30 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnography as a way of life | 2020 | Ethnomusicology 64 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“A Weekly Mäshräp to tackle extremism”: music-making in Uyghur communities and intangible cultural heritage in China | 2020 | Ethnomusicology 64 (1): 23-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“It's not a specific Klezmer thing, it's a specific me thing”: Klezmer accordion in Berlin | 2020 | Ethnomusicology 64 (1): 56-88 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Disobedient: activist choirs, radical amateurism, and the politics of the past after Yugoslavia | 2020 | Ethnomusicology 64 (1): 89-109 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis | 2020 | Ethnomusicology 64 (1): 141-66 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Music that tears you apart: jazz manouche and the qualia of ethnorace | 2020 | Ethnomusicology 64 (3): 369-93 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Ethnomusicology and the Indian Ocean: on the politics of area studies | 2020 | Ethnomusicology 64 (3): 394-421 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The dynamics of intercultural music making in Granada: everyday multiculturalism and Moroccan integration | 2020 | Ethnomusicology 64 (3): 422-46 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A mythical medieval hero in modern East Java: the masked dance Gunung Sari as an alternative model of masculinity | 2020 | Ethnomusicology 64 (3): 447-72 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Between tribute and transformation: negotiating the expressive and ethical dynamics of experimental Afro-Brazilian songs | 2020 | Ethnomusicology 64 (3): 473-97 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Meeting the garden halfway: ethnographic encounters with a sound installation microculture | 2020 | Ethnomusicology 64 (3): 498-521 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
My music | 2019 | Ethnomusicology 63 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
On the politics of folk song theory in Edwardian England | 2019 | Ethnomusicology 63 (1): 19-42 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 |