Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Barbier-Mueller: art as a legacy | 2024 | Tribal art (111): 18-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Rethinking the collection: provenance research at the African Museum | 2024 | Tribal art (111): 50-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Native baskets of Arizona at the Heard Museum | 2024 | Tribal art (111): 56-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
Singles or doubles: Mokenge bells of the Ogooué Basin | 2024 | Tribal art (111): 62-79 | *H6/KFY [WORLD-] | 1354-2990 | |||
An Anasazi "sash" and the forgotten parrot trade in the ancient American Southwest | 2024 | Tribal art (111): 80-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Didier Hirsch: collecting narratives | 2024 | Tribal art (111): 88-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
Mort Golub: from Mahakala to outsider art | 2024 | Tribal art (111): 96-107 | *H6/KFY [WORLD-] | 1354-2990 | |||
The European regulations of 2019 and 2021 governing the importation of cultural goods into the European Union: collectors will De Facto be in violation of the law | 2024 | Tribal art (112): 44-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
The Taíno and Kalinago of the Antilles | 2024 | Tribal art (112): 48-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
Penetrating expressions: Kifwebe masks of the Songye and Luba | 2024 | Tribal art (112): 58-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Offerings and gods at the Templo Mayor: Mexica offerings to the god of rain | 2024 | Tribal art (112): 64-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
The Luf boat in the Humboldt Forum and the search for "Germany as the evil" | 2024 | Tribal art (112): 76-87 | *H6/KFY [WORLD-] | 1354-2990 | |||
A portrait of Jean Roudillon in his own words | 2024 | Tribal art (112): 88-97 | *H6/KFY [WORLD-] | 1354-2990 | |||
Angelo Turconi, a passion for the Congo | 2024 | Tribal art (112): 98-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Norman Lewis and African Negro Art | 2024 | Tribal art (112): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
Dances with laws | 2024 | Tribal art (113): 46-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
Crocodile troughs and related artifacts from the Solomon Islands: the operative nature of image assemblage | 2024 | Tribal art (113): 86-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Peter Weis on collecting and the art of the Cameroon grasslands | 2024 | Tribal art (113): 124-31 | *H6/KFY [WORLD-] | 1354-2990 | |||
Memento mori | 2023 | Tribal art (107): | *H6/KFY [WORLD-] | 1354-2990 | |||
New perspectives: the Stanley Museum of Art | 2023 | Tribal art (107): 50-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Pathways of art: how objects get to the museum | 2023 | Tribal art (107): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Anthropomorphic bronze castings with enigmatic tattoos from the Kulai culture of Siberia | 2023 | Tribal art (107): 68-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
Lost and found: two bladed gunstock clubs and Duke Paul Wilhelm of Württenberg | 2023 | Tribal art (107): 76-87 | *H6/KFY [WORLD-] | 1354-2990 | |||
Albert Costa: the man who has been everywhere | 2023 | Tribal art (107): 88-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
Kathleen Haddon: a woman with a camera | 2023 | Tribal art (107): 95-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
Polynesia comes to Brussels | 2023 | Tribal art (108): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Tshambwan hooks of the middle Sepik | 2023 | Tribal art (108): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Two Buye statues that disappeared from the Mostra d'Oltremare in 1940 | 2023 | Tribal art (108): 90-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
From Gothic Europe to Oceania: Robert Ross and old masters from around the world | 2023 | Tribal art (108): 102-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Of masks and men: Stéphan Gladieu's perspective | 2023 | Tribal art (108): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Usus, fructus, abusus: the bronze attributes of the Oba's right to property | 2023 | Tribal art (109): 50-4 | *H6/KFY [WORLD-] | 1354-2990 | |||
Reimagining the Hans Himmelheber Archive of African Art | 2023 | Tribal art (109): 76-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
The fortieth anniversary and the past fifteen years of Pacific Art at the National Gallery of Australia | 2023 | Tribal art (109): 84-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
Toward a long C-14 chronology of Rapa Nui wooden statuary and other Polynesian styles | 2023 | Tribal art (109): 94-111 | *H6/KFY [WORLD-] | 1354-2990 | |||
A century in the life of an ancient Dan mask | 2023 | Tribal art (109): 112-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
The shared passion of Michel and Anne Vandenkerckhove | 2023 | Tribal art (109): 120-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Images from French West Africa: the photography of Edmond Fortier | 2023 | Tribal art (109): 128-39 | *H6/KFY [WORLD-] | 1354-2990 | |||
Scarifications: a stroll through two universes with Miquel Barceló | 2023 | Tribal art (110): 38-43 | *H6/KFY [WORLD-] | 1354-2990 | |||
Aso Oke at the Saint Louis Art Museum | 2023 | Tribal art (110): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
Sharing the heritage of Dani art: the Hampton collection at the Tracing Patterns Foundation | 2023 | Tribal art (110): 52-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Fifty years after the return of the Afo-a-Kom: a retrospective | 2023 | Tribal art (110): 64-73 | *H6/KFY [WORLD-] | 1354-2990 | |||
Lou Wells, "professor provenance" | 2023 | Tribal art (110): 74-81 | *H6/KFY [WORLD-] | 1354-2990 | |||
Collaborating with the past: the ambrotypes of Shane Balkowitsch | 2023 | Tribal art (110): 82-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
Lightning symbol and snake dance: Aby Warburg and Pueblo art | 2022 | Tribal art (104): 62-7 | *H6/KFY [WORLD-] | 1354-2990 |