Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The fighting season | 2015 | Photography and culture 8 (2): 242-6 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Mikhael Subotzky: picturing prisons and interrogating freedom | 2015 | Photography and culture 8 (1): 7-36 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Photographing "the nucleus of the native church" at Poonindie Mission, South Australia | 2015 | Photography and culture 8 (1): 37-57 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Staring back: anthropometric-style African colonial photography and Picasso's Demoiselles | 2015 | Photography and culture 8 (1): 59-80 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Conflict[ed] reporting | 2015 | Photography and culture 8 (2): 153-8 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Photojournalism and warfare in a postphotographic age | 2015 | Photography and culture 8 (2): 159-71 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
When the photojournalist returns: exploring reflexive moments in photojournalism | 2015 | Photography and culture 8 (2): 173-90 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Why can't we see insurgents? Enmity, invisibility, and counterinsurgency in Iraq and Afghanistan | 2015 | Photography and culture 8 (2): 191-211 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
The lethal art of portraiture | 2015 | Photography and culture 8 (2): 213-26 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Face of our time | 2015 | Photography and culture 8 (2): 233-41 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
The queer optimism of Jessie Tarbox Beals' Greenwich Village postcards | 2014 | Photography and culture 7 (3): 285-302 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Ec-statically queer images: queering the photographic through fetal photography | 2014 | Photography and culture 7 (3): 269-84 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Photographic flashes: on imaging trans violence in Heather Cassil's durational art | 2014 | Photography and culture 7 (3): 253-68 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Zanele Muholi's affective appeal to act | 2014 | Photography and culture 7 (3): 239-52 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
There is a there there: place in African cityscapes | 2014 | Photography and culture 7 (1): 41-62 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
"The brownies in Palestina": politicizing geographies in family photographs | 2013 | Photography and culture 6 (1): 41-63 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
"Thank you for our flar daddy": photography, imagination, and citizenship as child's play | 2013 | Photography and culture 6 (1): 65-80 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Light, nation, and place in Australian photography | 2013 | Photography and culture 6 (3): 259-78 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Photographic bodies and biographical narrative: the Finnish state archaeologist Juhani Rinne in pictures | 2012 | Photography and culture 5 (1): 37-51 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Battlefield souvenirs and the affective politics of recoil | 2012 | Photography and culture 5 (1): 21-36 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Absence and presence: the work of photographs in the Sámi Museum, RiddoDuottarMuseat-Sámiid Vuorká - Dávvirat (RDM-SVD) in Karasjok, Norway | 2012 | Photography and culture 5 (3): 295-310 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Framing coloniality: exotic photographs in Swiss albums, museums, and public spaces (1870s-2010s) | 2012 | Photography and culture 5 (3): 311-26 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Unsettling the "colonizing camera": curatorial notes on the "Congo Belge en Images" project | 2012 | Photography and culture 5 (3): 327-42 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Wood has the color of skin | 2012 | Photography and culture 5 (3): 355-64 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Plane spotting, military portraiture, and multiculturalism in the Imperial War Museum | 2012 | Photography and culture 5 (3): 281-93 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Tempo Doeloe nostalgia and Brani memory community: the IWI collection as a postcolonial archive | 2012 | Photography and culture 5 (3): 265-79 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Editorial | 2012 | Photography and culture 5 (3): 261-4 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Francis Galton's Face Project: morphing the Victorian | 2012 | Photography and culture 5 (2): 189-214 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Public and private photographs of children on Kibbutzim in Israel: observations and analysis | 2012 | Photography and culture 5 (2): 149-66 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Fields of consciousness | 2012 | Photography and culture 5 (1): 53-76 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Felt surface, visible image: Lorna Simpson's photography and the embodiment of appearance | 2011 | Photography and culture 4 (2): 157-78 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Comical conflations: racial identity and the science of photography | 2011 | Photography and culture 4 (2): 133-55 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
"Jews in photography": conceiving a field in the papers of Peter Pollack | 2011 | Photography and culture 4 (1): 7-28 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Dated photographs: the personal photo album as visual and textual medium | 2010 | Photography and culture 3 (2): 175-94 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Posthumous interruptions: the political life of family photographs in Israeli military cemeteries | 2010 | Photography and culture 3 (1): 41-64 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Photographs from the American album: the Albatross nudes, 1899-1900 | 2010 | Photography and culture 3 (1): 19-40 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Citizenship, diaspora and the bonds of affect: the passport photograph | 2009 | Photography and culture 2 (3): 275-88 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
De Meyer at Vogue: commercializing queer affect in First World War-era fashion photography | 2009 | Photography and culture 2 (3): 253-74 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
On photographic violence | 2009 | Photography and culture 2 (3): 303-16 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Cumulative affect: museum collections, photography and studio portraiture | 2009 | Photography and culture 2 (3): 337-48 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
From deserted terrains to chaotic vistas: Julian Trevelyan's representations of British interwar urban and industrial decline | 2009 | Photography and culture 2 (1): 7-29 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Shinrei shashin: photographs of ghosts in Japanese snapshots | 2008 | Photography and culture 1 (1): 51-72 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
Straightforward and ordered: amateur photographic surveys and scientific aspiration, 1885-1914 | 2008 | Photography and culture 1 (2): 185-210 | H6 [PHOTOGRAPHY-] | 1751-4517 | |||
The role of the photograph in the application of forensic anthropology and the interpretation of clandestine scenes of crime | 2008 | Photography and culture 1 (2): 165-84 | H6 [PHOTOGRAPHY-] | 1751-4517 |