Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Remembering the factory: industrial pasts and presents | 2020 | Narodna umjetnost 57 (1): 7 | H6/KVP [NARODNA-] | 0547-2504 | |||
'What is there to talk about with these women?': The heterogeneity of female workers and their interactions at fish canning factories on the East Adriatic coast | 2020 | Narodna umjetnost 57 (1): 9-31 | H6/KVP [NARODNA-] | 0547-2504 | |||
Fish canning industry and the rhythm of social life in the Northeastern Adriatic | 2020 | Narodna umjetnost 57 (1): 33-49 | H6/KVP [NARODNA-] | 0547-2504 | |||
Our factory: textile workers’ memories and experiences in Slovenia | 2020 | Narodna umjetnost 57 (1): 51-70 | H6/KVP [NARODNA-] | 0547-2504 | |||
Workers’ culture as the basis of collective memory: as exemplified by the Dalmatinka factory in Sinj | 2020 | Narodna umjetnost 57 (1): 71-91 | H6/KVP [NARODNA-] | 0547-2504 | |||
From iron to the industrial cloud: memory and (de)industrialization at the Lisnave and Setenave Shipyards | 2020 | Narodna umjetnost 57 (1): 93-107 | H6/KVP [NARODNA-] | 0547-2504 | |||
Leisure, loafing, and life as work: discourses on non-work and a new working class | 2020 | Narodna umjetnost 57 (1): 109-28 | H6/KVP [NARODNA-] | 0547-2504 | |||
Fear: social memory and (non-)narrative resistance | 2020 | Narodna umjetnost 57 (1): 129-30 | H6/KVP [NARODNA-] | 0547-2504 | |||
Fear, humanity and managing the heritage of war: two narratives from Western Slavonia | 2020 | Narodna umjetnost 57 (1): 135-61 | H6/KVP [NARODNA-] | 0547-2504 | |||
The silence of fear, silencing by fear and the fear of silence | 2020 | Narodna umjetnost 57 (1): 163-95 | H6/KVP [NARODNA-] | 0547-2504 | |||
The subversive icon of pregnancy in opposition to the culture of fear: visual practices in a local context | 2020 | Narodna umjetnost 57 (1): 197-216 | H6/KVP [NARODNA-] | 0547-2504 | |||
Postdramatic tragedy and fear: the case of Socìetas Raffaello Sanzio’s Tragedia Endogonidia | 2020 | Narodna umjetnost 57 (1): 217-34 | H6/KVP [NARODNA-] | 0547-2504 | |||
The Croatian thousand-year dream: narrative as the society effect | 2019 | Narodna umjetnost 56 (1): 7-26 | H6/KVP [NARODNA-] | 0547-2504 | |||
Semiotics of the “Third Force”: MOST and the performative and visual dimension of political life in the post-electoral period in Croatia, 2015 | 2019 | Narodna umjetnost 56 (1): 27-40 | H6/KVP [NARODNA-] | 0547-2504 | |||
Displaying society: Croatian museums and galleries between pedagogy and performativity | 2019 | Narodna umjetnost 56 (1): 41-54 | H6/KVP [NARODNA-] | 0547-2504 | |||
Art as a space for practicing localness: contemporary reframing of naïve art in Vojvodina (Kovačica) and in Silesia (Janów Group) | 2019 | Narodna umjetnost 56 (1): 55-67 | H6/KVP [NARODNA-] | 0547-2504 | |||
Fear and decisions about children’s health | 2019 | Narodna umjetnost 56 (1): 69-100 | H6/KVP [NARODNA-] | 0547-2504 | |||
The motif of fear and its mechanisms in the Croatian fantastic novel of the 19th century | 2019 | Narodna umjetnost 56 (1): 101-16 | H6/KVP [NARODNA-] | 0547-2504 | |||
The dialectics of eating and speaking in Ivo Brešan’s plays | 2019 | Narodna umjetnost 56 (1): 117-28 | H6/KVP [NARODNA-] | 0547-2504 | |||
Dancing transnationally: Croatian immigrants in Sydney, Australia | 2019 | Narodna umjetnost 56 (1): 129-47 | H6/KVP [NARODNA-] | 0547-2504 | |||
Sevdalinka and Zagreb until the end of the 1950s: an attempt at a reconstruction | 2019 | Narodna umjetnost 56 (1): 149-91 | H6/KVP [NARODNA-] | 0547-2504 | |||
Man, but the best one: Roma caught in labour, language, and biology-based theories of race | 2019 | Narodna umjetnost 56 (2): 7-39 | H6/KVP [NARODNA-] | 0547-2504 | |||
Ambivalent emotional registers of subversive affirmation as a political and artistic act: the Janez Janša Project | 2019 | Narodna umjetnost 56 (2): 41-56 | H6/KVP [NARODNA-] | 0547-2504 | |||
Every mother breastfeeds her child, only if she has enough milk: how we read the ethnographic accounts from the turn of the 19th to the 20th century | 2019 | Narodna umjetnost 56 (2): 57-73 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Why should I look younger?' Women, ageing and body management in everyday life | 2019 | Narodna umjetnost 56 (2): 75-99 | H6/KVP [NARODNA-] | 0547-2504 | |||
Love of the road and memories in the water: affects in infrastructural spaces in Gorski Kotar | 2019 | Narodna umjetnost 56 (2): 101-23 | H6/KVP [NARODNA-] | 0547-2504 | |||
Marulić’s discourse of virginity in De institutione and Euangelistarium | 2019 | Narodna umjetnost 56 (2): 125-41 | H6/KVP [NARODNA-] | 0547-2504 | |||
Proverbs in Vitezović’s Odiljenje sigetsko | 2019 | Narodna umjetnost 56 (2): 143-55 | H6/KVP [NARODNA-] | 0547-2504 | |||
Identity and cultural memory in 'Cvit razgovora naroda i jezika iliričkoga aliti rvackoga' [The Flower of Conversation of Illyrian or Croatian People and Language] (1747) by Filip Grabovac | 2019 | Narodna umjetnost 56 (2): 157-83 | H6/KVP [NARODNA-] | 0547-2504 | |||
In memoriam: J. Donald Hughes (1932– 2019) | 2019 | Narodna umjetnost 56 (1): 241-3 | H6/KVP [NARODNA-] | 0547-2504 | |||
Young ladies, music connoisseurs and their tastes: the figure of the fangirl as the place of articulation of social tastes | 2018 | Narodna umjetnost 55 (1): 7-21 | H6/KVP [NARODNA-] | 0547-2504 | |||
Memories of music in the Croatian community in Sydney, Cape Breton | 2018 | Narodna umjetnost 55 (1): 23-38 | H6/KVP [NARODNA-] | 0547-2504 | |||
The Dravsko proljeće folklore festival in Sopje | 2018 | Narodna umjetnost 55 (1): 39-65 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Give and take': representations of the post-socialist 'new bourgeoisie' in music videos | 2018 | Narodna umjetnost 55 (1): 67-79 | H6/KVP [NARODNA-] | 0547-2504 | |||
Forsythe x Ikeda: beyond formula multiplication or on the algorithm of difference | 2018 | Narodna umjetnost 55 (1): 81-93 | H6/KVP [NARODNA-] | 0547-2504 | |||
'When you are feeling relaxed, you can be at your best': ethnography of work in Pula's Arena knitting factory | 2018 | Narodna umjetnost 55 (1): 95-110 | H6/KVP [NARODNA-] | 0547-2504 | |||
'That thin red line': memory and Yugonostalgia among the Italian minority in Istria | 2018 | Narodna umjetnost 55 (1): 111-33 | H6/KVP [NARODNA-] | 0547-2504 | |||
Petar Klepac/Peter Klepec/Pitr Kljepc: a borderland hero and the manifestations of his strength | 2018 | Narodna umjetnost 55 (1): 135-58 | H6/KVP [NARODNA-] | 0547-2504 | |||
City-making through urban gardening: public space and civic engagement in Zagreb | 2018 | Narodna umjetnost 55 (1): 159-79 | H6/KVP [NARODNA-] | 0547-2504 | |||
Fear, lust, hysteria: notes on a witch trial record | 2018 | Narodna umjetnost 55 (1): 181-97 | H6/KVP [NARODNA-] | 0547-2504 | |||
Practices and narrations of aging in Zagreb | 2018 | Narodna umjetnost 55 (2): 7-27 | H6/KVP [NARODNA-] | 0547-2504 | |||
Mixing ethnic and non-ethnic economic strategies: migrant entrepreneurs in Zagreb | 2018 | Narodna umjetnost 55 (2): 29-56 | H6/KVP [NARODNA-] | 0547-2504 | |||
Body, society, space: the experience of blind persons in Zagreb | 2018 | Narodna umjetnost 55 (2): 57-73 | H6/KVP [NARODNA-] | 0547-2504 | |||
Queer activism and the transformation of the city: how the LGBTIQ community is fighting for its space in the city of Zagreb | 2018 | Narodna umjetnost 55 (2): 75-103 | H6/KVP [NARODNA-] | 0547-2504 | |||
Media representation of Zagreb Advent: business, exploitation, identity | 2018 | Narodna umjetnost 55 (2): 105-27 | H6/KVP [NARODNA-] | 0547-2504 | |||
How a factory (has) changed the city: the example of Dalmatinka | 2018 | Narodna umjetnost 55 (2): 129-46 | H6/KVP [NARODNA-] | 0547-2504 | |||
Parades of monuments and memorials: transformation of memory, place and identity in a Slovak city | 2018 | Narodna umjetnost 55 (2): 147-64 | H6/KVP [NARODNA-] | 0547-2504 | |||
Protest and social creativity: an art and activist network furthers debate on problems of urban living space | 2018 | Narodna umjetnost 55 (2): 165-77 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Dance Kolinda - Yes Kolinda - Yes Kolinda - dance': humorous representations of the Croatian president | 2017 | Narodna umjetnost 54 (1): 7-27 | H6/KVP [NARODNA-] | 0547-2504 | |||
Laughing children and funny children: laughter and early childhood | 2017 | Narodna umjetnost 54 (1): 29-47 | H6/KVP [NARODNA-] | 0547-2504 |